The window he built for our stairwell throws colored light across the hall every afternoon. It looks like it was always there.
Hannah Mercer
→ Homeowner, Providence, RI
Purposeful creation with a reverence for historical trades
Five old trades, one bench.
Every piece
made by hand.
Stained glass, forged iron, leather, silver, and enamel — worked the way they were worked before machines learned them. Small batches, real materials, no shortcuts.
Catalog pieces from $145. Commissions by conversation.
Nothing here is mass made. Every piece leaves the bench because Providence put it in my hands to finish well.
The Antiquary
A piece designed for your room, your door, your family.
We talk it through, I draw it full scale,
then I make it.
From $850
Per piece
Finished pieces already sitting on the shelf.
Same materials, same bench, no waiting.
From $145
Catalog
The window he built for our stairwell throws colored light across the hall every afternoon. It looks like it was always there.
Hannah Mercer
→ Homeowner, Providence, RI
I asked for hooks and got heirlooms. The scrollwork is struck by hand and no two are identical, which is exactly the point.
Daniel Calder
→ Restoration Carpenter, Bristol, RI
He explained every step of the enameling before he started, then sent photographs between firings. That kind of care is rare.
Ruth Avery
→ Collector, Newport, RI
Our parish commissioned a small panel for the chapel. It arrived wrapped in wool with a handwritten note about the glass.
James Whitfield
→ Parish Warden, Pawtucket, RI
I have carried the journal cover daily for two years. The leather has gone dark at the corners and the stitching has not moved.
Elise Soren
→ Writer, Boston, MA
The window he built for our stairwell throws colored light across the hall every afternoon. It looks like it was always there.
Hannah Mercer
→ Homeowner, Providence, RI
I asked for hooks and got heirlooms. The scrollwork is struck by hand and no two are identical, which is exactly the point.
Daniel Calder
→ Restoration Carpenter, Bristol, RI
He explained every step of the enameling before he started, then sent photographs between firings. That kind of care is rare.
Ruth Avery
→ Collector, Newport, RI
Our parish commissioned a small panel for the chapel. It arrived wrapped in wool with a handwritten note about the glass.
James Whitfield
→ Parish Warden, Pawtucket, RI
I have carried the journal cover daily for two years. The leather has gone dark at the corners and the stitching has not moved.
Elise Soren
→ Writer, Boston, MA
The window he built for our stairwell throws colored light across the hall every afternoon. It looks like it was always there.
Hannah Mercer
→ Homeowner, Providence, RI
I asked for hooks and got heirlooms. The scrollwork is struck by hand and no two are identical, which is exactly the point.
Daniel Calder
→ Restoration Carpenter, Bristol, RI
He explained every step of the enameling before he started, then sent photographs between firings. That kind of care is rare.
Ruth Avery
→ Collector, Newport, RI
Our parish commissioned a small panel for the chapel. It arrived wrapped in wool with a handwritten note about the glass.
James Whitfield
→ Parish Warden, Pawtucket, RI
I have carried the journal cover daily for two years. The leather has gone dark at the corners and the stitching has not moved.
Elise Soren
→ Writer, Boston, MA
Cartoon, cut, came, and solder — leaded panels built to hold light for a century
Hot work at the anvil: hooks, brackets, trivets, and hardware
Vitreous glass fired onto copper and silver, stoned flat by hand